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Under the flickering tube lights of a typical classroom, rows of silent children stare at a blackboard that rarely ever looks back. Their questions remain
As someone with an unconventionally Christian upbringing— a child of Syrian Catholic parents who later became non-denominational Pentecostals— I have found the identitarian quandaries around
आमिर खान, आर.एस. प्रसन्ना द्वारा निर्देशित फिल्म सितारे ज़मीन पर के साथ वापस आ गए हैं। यह फिल्म 2008 की हिट फिल्म तारे ज़मीन पर
Aamir Khan is back with Sitaare Zameen Par, a movie directed by R.S Prasanna. This film tries to bring back the same feelings as the 2008
This concluding part of Professor V Vijayakumar’s essay engages with Nizhalkuthu and Oru Pennum Randaanum, where Adoor Gopalakrishnan extends his inquiry into state power, justice,
The earlier section followed Adoor Gopalakrishnan’s exploration of memory, solitude, and the formation of the self. In this part, the focus turns to power and
In this third part of Professor V Vijayakumar’s essay on Adoor Gopalakrishnan, the focus narrows to interior lives—dreams, wounds, stammers, and silences. While Adoor’s earlier
In this second installment of Professor V Vijayakumar’s essay on Adoor Gopalakrishnan, the author turns to the filmmaker’s gaze on Kerala’s entangled histories. Through Elippathayam
To mark Adoor Gopalakrishnan’s 84th birthday, this five-part series by Professor V Vijayakumar revisits the arc of his filmmaking—from the quiet ruptures of early works
നരിവേട്ട കണ്ടു.. എന്നല്ല, നരവേട്ടയുടെ പൊള്ളുന്ന അനുഭവം തിരശ്ശീലയിൽ നിന്നും ഹൃദയത്തിലേക്ക് ഏറ്റുവാങ്ങി എന്നാണ് പറയേണ്ടത്. കേരളം കണ്ട ഏറ്റവും കൊടിയ ഭരണകൂട പോലീസ് നരവേട്ടയുടെ പൊള്ളുന്ന ചലച്ചിത്രാനുഭവത്താൽ അത്രമേൽ അസ്വസ്ഥമായ മനസ്സോടെ അത്രമേൽ
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