Hans Zimmer in Saudi Arabia’s Spotlight: A National Anthem Redefined?

In what sounds like a plot from a Hollywood blockbuster, world-renowned composer Hans Zimmer—known for transforming emotions into epic soundtracks—may soon turn his magic to none other than Saudi Arabia’s National Anthem. This intriguing development, revealed by Alarabia News, suggests that Zimmer, the maestro behind the music of The Lion King, Interstellar, and Dune, could be stepping into a role of historic proportions.

The current anthem, The Chant of the Saudi Nation, was composed back in 1947 by Egyptian composer Abd al-Rahman al-Khatib, a regal request by Saudi Arabia’s founding monarch, King Abdulaziz. A melody with roots deep in the nation’s post-war emergence, it has echoed through the decades as a symbol of national pride. But like any good soundtrack, it seems there’s a chance for a sequel—one that might bring Zimmer’s distinct flair for grandeur and emotion into the heart of the Kingdom.

Saudi Arabia’s General Entertainment Authority Chairman, Turki al-Sheikh, hinted at several musical projects potentially brewing with Zimmer. Among these, a mysterious composition titled Arabia, inspired by the Kingdom’s rich culture and heritage, stands out as a potential masterpiece in the making. Will Arabia be a modern reimagining of Saudi pride, much like Zimmer’s iconic scores that have given life to the realms of Wakanda or the deserts of Arrakis?

What adds even more intrigue is the possibility of Zimmer contributing to the soundtrack for an upcoming Saudi film, The Battle of Yarmouk. Known for his ability to elevate cinematic moments to legendary status, this could mark Zimmer’s deep dive into Middle Eastern history—likely pairing his lush, atmospheric tones with the storied battlefield.

But wait, there’s more. Al-Sheikh also teased an enormous Hans Zimmer concert in Riyadh, which could become a show-stopping spectacle for future Riyadh Seasons, already famous for pushing the envelope in entertainment. Imagine the fusion of live orchestras, larger-than-life visuals, and Zimmer’s iconic sounds lighting up the Saudi desert. A cultural extravaganza like this has the potential to be one for the history books.

Beyond the music itself, Zimmer’s involvement could symbolize a pivotal moment in Saudi Arabia’s evolution as a global cultural hub. The Kingdom has been pushing boundaries with projects like NEOM and its Vision 2030, seeking to transform its cultural, social, and economic landscapes. This is part of a larger narrative where nations in the Middle East are embracing new cultural and religious touchpoints to foster global dialogue. A perfect parallel to this is the recent inauguration of the BAPS Hindu Mandir in Abu Dhabi, opened by India’s Prime Minister Narendra Modi on February 14, 2025.

The temple, the first traditional Hindu mandir in the Arabian Peninsula, represents more than just an architectural marvel; it’s a diplomatic and cultural gesture that extends the UAE’s hand toward the world.

In a way, the UAE’s establishment of the mandir and Saudi Arabia’s collaboration with Hans Zimmer reflect two sides of the same coin: both are efforts to craft new narratives of inclusivity, tolerance, and global engagement. As Saudi Arabia looks to Zimmer to potentially compose a soundtrack that mirrors its modern identity while preserving its rich heritage, the UAE similarly positions itself as a bridge between civilizations, a melting pot where ancient traditions and contemporary realities coalesce.

The message is clear: the Middle East is no longer content with being perceived solely as a land defined by its geopolitical complexities. These nations are actively reshaping their cultural landscapes, inviting the world to participate, listen, and share in their stories. In doing so, they’re not just redefining their own identities; they’re encouraging a global dialogue that celebrates both difference and unity—whether through the soulful strings of a Zimmer composition or the towering spires of a Hindu temple in the desert.