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രാഷ്ട്രീയവും സിനിമയും കെട്ടുപിണഞ്ഞു കിടക്കുന്ന തമിഴ്നാടിന്റെ സാമൂഹിക സാംസ്കാരിക രാഷ്ട്രീയ ചരിത്രത്തിലേക്ക് ഒരേസമയം തിരിഞ്ഞു നോക്കുകയും അതിൻറെ സമകാലിക വികാസത്തെ അപഗ്രഥിക്കുകയുമാണ് സാംസ്കാരിക – ചലച്ചിത്ര പ്രവർത്തകനും രാഷ്ട്രീയ നിരീക്ഷകനുമായ ജി പി രാമചന്ദ്രൻ
On the morning of December 26, 2004, the fishermen of the Tamil Nadu coast were on the water at their usual hour, doing their usual
Surveillance today is no longer an exceptional instrument of statecraft but an all-pervading condition of contemporary life, woven into the infrastructures of governance, commerce, and
Neela Bhagwat, 83, an exponent of the Gwalior Gharana of the Hindustani classical vocal music tradition, passed away on April 14, 2026, after a brief
एक कड़े शब्दों वाली याचिका में RTI कार्यकर्ता मनोरंजन एस. रॉय ने ब्लॉकबस्टर सिनेमा और राजकाज के बीच के रहस्यमय संबंध को लेकर कई परेशान
In a sharply worded petition, RTI activist Manoranjan S. Roy has raised a barrage of troubling questions about the shadowy overlap between blockbuster cinema and
Blurring Fact and Majoritarian Fiction In the past few years, Indian cinema has changed significantly, shifting from a source of entertainment to a kind of
Usually, violence in cinema is loud, a crashing crescendo of broken glass, raised voices or physical confrontation. But there is a different kind of violence
There is a particular frequency of discomfort that Anubhav Sinha has mastered in his 2026 masterpiece, Assi. It isn’t the loud, percussive shock of a
The controversy surrounding the Berlin International Film Festival 2026 has revived one of the oldest aesthetic debates in modern cultural history: Is art autonomous, existing
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