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In an India still fractured by caste and religion, who gets to tell divine stories and who is silenced remains a deeply political question. When
Aamir Khan is back with Sitaare Zameen Par, a movie directed by R.S Prasanna. This film tries to bring back the same feelings as the 2008
This concluding part of Professor V Vijayakumar’s essay engages with Nizhalkuthu and Oru Pennum Randaanum, where Adoor Gopalakrishnan extends his inquiry into state power, justice,
The earlier section followed Adoor Gopalakrishnan’s exploration of memory, solitude, and the formation of the self. In this part, the focus turns to power and
भारत के अतीत के समृद्ध ताने-बाने को अक्सर इसकी जटिलता, गहराई और गहन सांस्कृतिक विरासत के लिए सराहा जाता है। फिर भी, इसके भीतर ऐसी
In this third part of Professor V Vijayakumar’s essay on Adoor Gopalakrishnan, the focus narrows to interior lives—dreams, wounds, stammers, and silences. While Adoor’s earlier
In this second installment of Professor V Vijayakumar’s essay on Adoor Gopalakrishnan, the author turns to the filmmaker’s gaze on Kerala’s entangled histories. Through Elippathayam
Vikram Soni, who passed away recently, was focused on finding doable and inexpensive solutions to key issues facing the public, such as ‘conserve and use’
कैसे पैसा और गायब विपक्ष लोकतंत्र के नियम बदल रहे हैं “जिला अध्यक्ष ने मुझसे पूछा कि क्या मेरे पास बड़ी गाड़ी है। जब
To mark Adoor Gopalakrishnan’s 84th birthday, this five-part series by Professor V Vijayakumar revisits the arc of his filmmaking—from the quiet ruptures of early works
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